With 80GB or 160GB of storage, iPod classic gives your music and video room to move. It also has plenty of energy (up to 40 hours of audio playback), good looks (a sleek, all-metal design), and a great personality (a brand-new interface with Cover Flow). In other words, iPod classic makes an ideal companion. Why not get to know it better?

Product Specification: iPod classic 160GB – Black

Storage Capacity:
160 GB

Key Functions:
Calendar, Games, Photo Viewer

Screen Size:
2.5 in.

After using the Samsung K5 and 80GB Zune, I finally got the iPod classic and I couldn’t be happier. The Zune had problems with the new 3.0 update, so I went to Best Buy and convinced myself to try an iPod despite my love for the Zune.

It was my …first iPod, and it had such a great impression on what I thought about them. Apple has fantastic products, but I never tried an iPod before. iTunes is very easy and fun to use and Apple has great support features for both the software and device.

The iPod, with a 36 hour battery life, is capable of holding 30,000 songs, 25,000 pictures, 150 hours of video, games, and other applications (not to be confused with the applications like the ones in the App Store for the iPhone and iPod Touch), the iPod classic is an amazing device. The sound quality is incredible, with an ability to boost the volume by 100% per song, should you have one who’s volume is lower than the others.

The Click Wheel allows easy navigation through options, menus, and games. The Genius option is an amazing one as well. From Apple: ‘Say you’re listening to a song you really like and want to hear other tracks that go great with it. With a few clicks, the new Genius feature finds the songs in your library that go great together and makes a Genius playlist for you.

You can listen to the playlist right away, save it for later, or even refresh it and give it another go. Count on Genius to create a mix you wouldn’t have thought of yourself’. So, in conclusion, the iPod classic is an amazing device, and I recommend it to anyone looking for a high quality MP3 player, whether it’s your first or fiftieth

Big Mp3’s Collection  For Your Ipod

Review from:

http://shopping.yahoo.com/p:iPod%20classic%20160GB%20-%20Black%20MP3%20Player:1994935522:page=user-reviews;_ylt=Aryk_ZSDsEWjYAi4j.oMM._4SHAD

I have long been complaining that 2009 has been a year that has left us music lovers bereft of quality music. Now don’t get me wrong–2009 has produced some hummable tunes, but in my honest opinion there have lacked certifiable bangers. Until now.

Nu Jazz pioneers 4Hero have returned with Extensions, a phenomenal album that is slated to drop October 27th. My eardrums are tingling with joy, and my mind keeps telling me that this event is on par with the release of the stellar Leave It All Behind from Foreign Exchange last year. Preview the tracks below and try to pick a favorite–I dare you. Afterwards, peep the tracklisting after the bounce

Download Album 4 Hero Extensions

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Rob Sayles (Dr Strafe) is the Bristol based DJ/producer who was originally active on the Drum & Bass scene as a DJ/promoter for several years, running a renowned night called Stealth which featured many big name DJs like Bad Company, Ed Rush and Moving Fusion. Having then had his ears opened up to the funkier side of things by acts such as RJD2, Breakestra, Quanitc, Bonobo he began to incorporate all his new favourite sounds and influences into the deeply groovy stew he is now renowned for.

Refocused, Dr Strafe aims to produce modern funk music that tries to add something new or something from other styles of music like breaks, and house, etc as he feels funk can be incorporated into almost any genre of music with fantastic results if it’s done right! Like In The Deal fuses all these influences: contemporary breaks and beats fused with retro movie soundtracks that evoke car chases & bank heist themes, blended with Motown sounds from the 1960’s and 70’s along with retro gaming effects, namely 8-bit Nintendo and C64 style music!

Dr Strafe Like in the Deal : http://soundsity.com/

"Nonstop fast life/different city every night/no sleep late night." With lyrics like that written on a cell phone at 6 a.m., it’s only appropriate Bad Boy Bill stops in Vegas again, this time at Rehab on July 12.

After two decades as a DJ — “America’s Favorite House DJ” to be exact — BBB is releasing a full-length CD of original material. Simply titled "The Album," the Beatport.com co-founder unleashes his tracks on the masses July 28, though the single “Falling Anthem” is already a club favorite. Will the world be ready for the notorious DJ’s tunes? Las Vegas will get the chance to preview a few of his productions at the Hard Rock pool.

"The Album" is not what one might expect from Bad Boy Bill. On a whole, the tracks are less club-friendly and resemble more rock-esque songs. Almost all selections are heavy on the vocals, light on multi-layered intricacies and sweeping melodic progressions many of his contemporaries are favoring. A punchy electro feel encompasses a good portion of the CD, but then the listener sometimes experiences abrupt genre changes from track to track.

The CD starts off strong on an electro-rock foot with “Do What U Like,” and you can’t go wrong with cowbell. The opening four songs bring to mind Junkie XL’s "Booming Back at You," though BBB’s arrangements are a bit simpler than the Dutch production veteran.

The unexpected variety on "The Album" continues, including a little tribute to Herbie Hancock. BBB’s cover of Hancock’s “Rock It” (complete with BBB’s signature scratching skills) is probably the closest thing to what we’d look forward to from Bill and is one of the highlights of the album. It’s unfortunate the track comes in under three minutes.

One song to put on continuous repeat, though not a floor banger, is “If I Tell You.” Alyssa Palmer’s vocals shine with sad honesty while deep moods balance with delicate guitar on the funky downtempo song.

In actuality, Bad Boy Bill has had quite a bit of assistance from friends on "The Album." Only one track lists him as the sole producer; industry heavyweights JJ Flores and Steve Smooth are all over the album, among other helping hands. Palmer sings on four of the album’s 11 tracks; Johanna Phraze, Alex Peace, Eric Jag and Kid Infinity also appear.

The diversity on "The Album" could have a dual effect on listeners. Some dance music fans might be alarmed or feel it’s a bit ADD for their taste if they’re looking for something similar to his "Bangin’ the Box" mixes. On the other hand, it could help BBB reach a diverse audience base.

Download Bad Boy Bill The Album

http://soundsity.com/2019343-Artist-Bad_Boy_Bill-mp3-download.html

When I bought this CD I was only familiar with the tracks "Children" and "Fable", but since I quite liked them, I decided to buy this album.

Although not exactly a bad choice, I was a bit disappointed. The problem with the tracks is that they all use the same elements: same piano, same strings, same synths… even the drums and bass sound almost the same. I know these elements more or less define the "dream house" sound Robert Miles was known for at the time of this release, and while the tracks themselves aren’t bad or anything, it’s just that a whole CD of the stuff gets quite boring.

The upside of having the tracks sound so alike is that the album has a very consistent dreamy/chilled atmosphere. The cheesy poppy vocals on "One & One" kind of break the atmosphere though. "Red Zone" deserves to mentioned too, since this is the only track on the album that doesn’t use the piano-sound used in the other tracks, and has a bit of a proggy trance mood. Yet still it blends in nicely with rest of the tracks, which sort of proves that Miles didn’t need to fill the disk with 10 clones of "Children".

Listen Or download Robert Miles Dreamland

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Before the so-called "New Wave of American Heavy Metal" was even a ripple,Shadows Fall were there. With legions of fans, worldwide fame,two Grammy nominations,& a song on Guitar Hero, they are beyond simply best-in-class.

With their unmistakable,seamless blend of metal & hard rock,Shadows Fall have grown to help define the very essence of modern aggressive music.

With Retribution,the band’s fifth full length,it’s no surprise to find them taking bold steps in their quest for constant evolution. It is a collection of songs that showcase the versatility & vision of this band.

The Deluxe digipack version is limited to 25,000 units and features 3 bonus track covers: Bark at the Moon – Ozzy Osbourne, Critical Mass – Nuclear Assault and Age of Quarrel – Cro Mags
It also includes a bonus DVD featuring The Making Of , Live Footage, Lessons, Interviews and more

Listen oк Download Shadows Fall Retribution

2009 album from the acclaimed British vocalist and former member of Japan. David Sylvian is a man apart. In a thirty-year career that spans the New Romantic movement, ambient works and Progressive Rock, and mature and esoteric Pop, Sylvian has tested popular styles and bent them to his own vision.

On Manafon, Sylvian pursues "a completely modern kind of chamber music. Intimate, dynamic, emotive, democratic, economical." In sessions in London, Vienna, and Tokyo, Sylvian assembled the world’s leading improvisers and innovators, artists who explore free improvisation, space-specific performance, and live electronics.

From Evan Parker and Keith Rowe, to Fennesz and members of Polwechsel, to Sachiko M and Otomo Yoshihide, the musicians provide both a backdrop and a counterweight to his own vocal performances.

1. Small Metal Gods

2. The Rabbit Skinner

3. Random Acts Of Senseless Violence

4. The Greatest Living Englishman

5. 125 Spheres

6. Snow White In Appalachia

7. Emily Dickinson

8. The Department Of Dead Letters

9. Manafon

Download This Album Here

Somebody fetch Jay-Z some smelling salts, a Starbucks gift card, a midlife crisis — anything to knock him out of the stupor he has settled into on "The Blueprint 3."

The rap icon’s 11th album is the first full-scale disaster of his career, a collection devoid of the mega-jams we expect from hip-hop’s undisputed alpha male. Instead, we suffer lyrics that suggest a new credo: Shrug that dirt off your shoulder.

The rap game? He’s over it. Hip-Hop next generation? Yawn. The haters? Pffft. They say it’s lonely at the top, but for Jay-Z, it’s just incredibly boring. After 13 years of thrilling auto-hagiography, the man sounds fed up not only with hip-hop but with himself. How can he expect us not to agree?

Lukewarmth ensues immediately with "What We Talkin’ About," an album opener that hints at early-onset dementia. "I don’t run rap no more, I run the map," the veteran declares. Moments later, "I don’t run rap no more, I run the map." Have we just witnessed Jay’s first senior moment? Hard to say whether the slippage is due to laziness, carelessness or senility, but it’s certainly a far cry from the dexterous salvos that usually launch a Jay-Z album.

The rest of "Blueprint 3" follows suit, pairing bromidic couplets with swatches of keyboard piffle — save for "D.O.A. (Death of Auto-Tune)," a lead single that finds Jay bemoaning those pesky R&B whippersnappers and their zany pitch-correction software.

"This is anti-Auto-Tune, death of the ring tone," he groans, humbugging over a scratchy boom-boom-bap. "This ain’t for iTunes, this ain’t for singalongs." No kidding.

Such grumpy old mannerisms raise the question: Can hip-hop age gracefully? Without becoming boring or bitter? No living artist embodies the art form quite like Jay-Z, and with his 40th birthday fast approaching, the rap world is looking to him for life lessons from the other side of the hill. Instead, Jay chooses to define wisdom merely as the opposite of youth. Over the irritating clatter of "On to the Next One," he explains, "No, I’m not a Jonas brother, I’m a grown-up." (Glad he cleared that one up.)

This isn’t his first stumble: 2006’s "Kingdom Come" hinted at Jay-Z as an older, wiser (and more tepid) rap star, but the album still had a pocketful of tunes capable of rattling your speakers and raising your pulse. The only thing resembling that kind of excitement on "The Blueprint 3" is "Off That" — a whizzing Timbaland track that could have been unearthed from the back of Nelly Furtado’s freezer and reheated with a hook from Drake, hip-hop’s incumbent cutie pie.

"Whatever you’re about to discover, we off that," the heartthrob sings, pantomiming the ethos of his grouchy paymaster as best he can. Meanwhile, Jay summons the energy to lob a few spitballs at Rush Limbaugh and Bill O’Reilly, before resorting to contempt for the wannabes. "If you’re driving it, I drove it," he taunts, halfheartedly. "You got it, cos’ I sold it."

It feels like a shoulder shrug at 111 beats per minute — and don’t mistake it for dancing. He’s off that, too.

Jay Z Hip-Hop

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Jay Z Mp3
Jay Z & Coldplay Mp3
Jay Z and Linkin Park Mp3
Jay Z featuring Beyonce Mp3
Jay Z featuring Chrisette Michelle Mp3
Jay Z featuring Lenny Kravitz Mp3
Jay Z vs Linkin Park Mp3
Jay-Z Mp3
Jay-Z & K-Def Mp3
Jay-Z & Linkin Park Mp3
Jay-Z & Notorious Big Mp3
Jay-Z & Tapemasters Inc Mp3
Jay-Z And Kanye West Mp3
Jay-Z And Linkin Park Mp3
Jay-Z And R. Kelly Mp3

Product Features

• Single-knob Input Compressors
• Switchable Monitor Mix Routing
• SPX Digital Effects (MG82CX/MG124CX)
• Mic Stand-Mountable (MG102C/MG82CX)
• 48V Phantom Power

The Yamaha MG102C is the New Generation of MG ModelsThis new generation is designed to build on an already strong level of acceptance by providing new, highly useful features, upgraded internal components, and enhanced cosmetics.

The unique single-knob compressors on their mono inputs are designed to keep loud from getting too loud, and soft from getting lost in the mix.

These mixers are built for great sound, total control, and superior reliability, at prices anyone can afford.Yamaha MG FeaturesSingle-knob Input CompressorsSwitchable Monitor Mix RoutingSPX Digital Effects (MG82CX/MG124CX)Mic Stand-Mountable (MG102C/MG82CX)48V Phantom Power

Cool Trance Djs:

http://ligamusic.com/Genre/69/Trance/1/

http://soundsity.com/69-Genre-Trance-mp3-download-1.html

DJs and VJs: unlock your true AV potential.

Watch videos about this product on DJsounds.comDesigned for use with our DVJ-1000 DVD/CD decks, the SVM-1000 gives you comprehensive control by synchronising both audio and video elements of your performance.

Even audio-only DJs can easily add visuals synced to the music from the SVM-1000’s built-in visualiser capability.

Complete with LCD touch panel, an impressive range of effects and 96 kHz/ 24-bit studio sound quality, the MIDI assignable SVM-1000 functions in a similar fashion to our acclaimed DJM series; which for DJs mean that the doors to full-on AV freedom are now fully open!

DJs and VJs have worked together to deliver immersive AV experiences for decades, and of course it is natural that the two art forms are so closely interlinked.

Our revolutionary DVJ-X1 brought the two crafts closer than ever before in 2004, as the world’s first DVD
decks opened up VJing to DJs.

However, a major stumbling block for many was the lack of a simple and easy-to-use AV mixer; DJs and VJs
had to use separate mixers to blend sound and vision.

Now the super-versatile SVM-1000 has the power and technology to change all that.

Developed with input from leading DJ and VJ artists this mighty mixer works perfectly in both audio and AV set-ups.

For many artists this mixer will be the missing link they have been waiting for. DJs and VJs around the world now have the potential to explore new avenues of creativity! Репликант / Replicant (2001) DVDRip

Big Trance Archive:

http://ligamusic.com/Genre/69/Trance/1/

http://soundsity.com/69-Genre-Trance-mp3-download-1.html

Original  Article:

http://www.pioneerprodj.eu/eur/products/44/74/461/SVM-1000/index.html